Tom Carter + Lisa Cameron + Ingebrigt Haken-Flaten w/ Crash Levin

This event will be held outdoors in the minicine? courtyard. Free individually wrapped masks will be available at the door. Crash Levin will open with film and new work @ 8pm. Suggested Donation $5.

Cameron, Carter, and Haker-Flaten is an exciting new trio including Lisa Cameron (who has played with Roky Erickson, Daniel Johnston, ST37, and improvisors Sandy Ewen, Damon Smith, Eugene Chadbourne, etc.) on drums and percussion; Tom Carter (Charalambides, Loren Connors, Susan Alcorn, etc.) on guitar, and Ingebrigt Haker-Flaten on electric and double bass (the Thing, David Murray, Joe Mc Phee, Evan Parker, Chris Corsano, Atomic, etc). Together they blend improv, free jazz and psych into a seamless whole that carves out a new space of its own.

Their 2019 release on Astral Spirts, "Tau Ceti", received wide acclaim, and the trio is currently working on their second release, also to be released on Astral Spirits.

“Daath (The Abyss)” erupts like a methane geyser on Enceladus or a solar flare, rippling out into the vastness of space and trailing color and light. And “Traveling Spaceways” just tries to one-up it, but it’s a psych blowout too, ripping a hole in the fabric of space-time." -Cassette Gods

"(they)build massive walls of sounds that highlight the wild, thorny guitar lines of Carter, the low-end excursions of Håker Flaten and the powerful, addictive drumming of Cameron. The last, «Traveling Spaceways», takes Sun Ra advice and sends this trio into another spiritual-psychedelic trip, this time higher and further into deep space, fully prepared to visit the great master in this first, impressive travel." -Salt Peanuts

"It’s a gas to hear Ingebrigt Håker Flaten and Lisa Cameron lock in behind Tom Carter’s increasingly gritty sound-bursts." -Dusted

"Crash Levin", a name with no meaning, is the moniker for Shreveport, Louisiana based electronic music producer Connor Zittrauer. Zittrauer showed interest and passion for music from an early age, receiving his first acoustic guitar at age nine. Throughout his teenage years, he piddled through local rock bands mostly filling in on guitar, wrote and composed music within that medium, and enjoyed many midnight jam sessions with his fellow musicians at a local music practice space. Having recorded rock and indie flavored releases under a different alias, he grew weary of the aesthetic and took to a more electronic-based sound. 
 Zittrauer’s electronic debut "Movements" was a concentration of pain and frustration; a meditation on the trauma of life; a musical expression of movement to a better way of thinking and living. The album was an exploration of various genres, timbres, and instrumentation. Drawing heavily from jazz, classical, IDM, "Wall of Sound" production, psychedelic, and ambient, "Movements" was an expansion of his musical palette and a learning process. 
 Zittrauer continues to work on upcoming releases, constantly digging for new sounds and styles.

minicine? 

846 Texas Ave

Shreveport, LA

71101